NcSalMen.msg

{{dialoguefile Dialogue for Salvatore's man, guard at Salvatore's Bar in New Reno {100}{}{You see one of Salvatore's men.} {150}{}{You see a sullen looking man. His face is set in a frown, and he is staring straight ahead. He is carrying a strange pistol in his hand.} {151}{}{You see a sullen looking man. His face is set in a frown, and he is staring straight ahead.} {152}{}{You see one of Salvatore's men. He looks like he hasn't relaxed in years.} {153}{}{You see one of Salvatore's men. He is staring straight ahead with a grim expression.} {154}{}{You see one of Salvatore's men. He looks silent, deadly, and possibly asleep.} {155}{}{You see one of Salvatore's men. He looks silent, deadly, and potentially very bored.} {160}{}{::Nods Respectfully::} {161}{}{You've got some serious muscle to bust the Enclave like you did.} {162}{}{You're almost as tough as Tommy the Balls.} {163}{}{I heard what you did to the Enclave. Word travels fast.} {164}{}{Thought about replaying the game as a different character?} {170}{}{Why are you sneaking around?} {171}{}{Why the secrecy? Somebody looking for you?} {172}{}{You trying to keep a low profile?} {173}{}{Why you sneaking around? Somebody chasing you?} {180}{}{Well, if it isn't } {181}{}{You LOST, pal? You better get out of here.} {182}{}{This guy's asking for trouble...} {183}{}{Get out of here. Now.} {184}{}{Unless you're looking for trouble, you better leave right now.} {185}{}{Well, if it isn't } {186}{}{You LOST, girl? You better get out of here.} {187}{}{This chick's asking for trouble...} {195}{}{No weapons allowed in here.} {196}{}{Put that weapon away.} {200}{}{Miss, I'm afraid I'll have to ask you to put that weapon away.} {201}{}{Miss, I'm sorry, but weapons aren't allowed in here.} {205}{}{You! Slaver! Secure that weapon NOW.} {206}{}{Weapons aren't allowed in here, slaver.} {207}{}{Put that weapon away, slaver.} {208}{}{Slaver, I need you to secure that weapon right now.} {210}{}{You! Slaver! Stop sneaking around in here!} {215}{}{You! Secure that weapon NOW.} {216}{}{Weapons aren't allowed in here.} {217}{}{Put that weapon away. Now.} {218}{}{Secure that weapon right now.} {220}{}{You! Stop sneaking around in here!} {225}{}{Robots aren't allowed in here. Get it outta here. Now.} {226}{}{No robots. Get it outta here.} {230}{}{No mutants allowed in here. Get him outta here. Now.} {231}{}{Mutants aren't allowed in here. Get him outta here. Now.} {235}{}{How do you go to the bathroom with that thing on?} {240}{}{Sir.} {241}{}{Hello, sir.} {242}{}{Nothing to report, sir.} {243}{}{Anything you need, sir?} {244}{}{Anyone bothers you, sir, let us know.} {245}{}{Watch out for Tommy the Balls. He has a long dick and a short temper.} {246}{}{Mr. Salvatore's been in poor health for as long as I've known him. He's really old.} {247}{}{These new pistols have really allowed us to gain ground in New Reno.} {248}{}{These new pistols may look strange, but they are really easy to use.} {249}{}{I shot this one Bishop smartass with my new pistol, and it drilled a hole through him AND the wall behind him.} {250}{}{None of the boys really know where these new pistols are coming from. It's best not to ask.} {251}{}{The rest of the families have been givin' us a lot of space ever since the Massacre.} {252}{}{The other families have been giving us a lot of space since we got these new pistols. They know what will happen if they don't.} {253}{}{These new pistols fire beams of light. The beams drill through ANYTHING.} {254}{}{Family Salvatore's been good to me. No complaints.} {255}{}{The Bishops talk big. Salvatores don't need to talk.} {256}{}{All's quiet on the northern front.} {257}{}{Saw some Bishops today, and they steered clear. They're getting smarter.} {258}{}{Everything's been pretty quiet today.} {259}{}{Ma'am.} {260}{}{Hello, ma'am.} {261}{}{Nothing to report, ma'am.} {262}{}{Anything you need, ma'am?} {263}{}{Anyone bothers you, ma'am, let us know.} {275}{}{You better leave before there's trouble.} {276}{}{Play it smart - leave before we have to get rough.} {277}{}{There's going to be trouble if you stick around.} {278}{}{Don't know what you want } {279}{}{Don't know what you're trying to prove, } {280}{}{I suggest you leave right now.} {285}{}{Where did you learn to fight? You're vicious.} {286}{}{You know, Family Salvatore could really use someone like you.} {287}{}{You should talk to Mason about a job.} {288}{}{If prizefighting loses its charm, you might want to consider joining up with us.} {289}{}{I got $20 riding on you!} {290}{}{Hey, champ! That last fight was great!} {291}{}{Saw you fight in the ring. Damn good right hook you throw.} {292}{}{How much you bench?} {293}{}{Where do you work out?} {294}{}{Watch out for the Masticator. He has a taste for ears.} {295}{}{I'd get you a drink if I hadn't blown all my money betting on your opponent.} {305}{}{Something I can do for you?} {306}{}{This ain't the porn studio, lover-boy.} {307}{}{Take your business elsewhere, lover-boy.} {310}{}{I'm really sorry... really... but I haven't got time to talk right now. Stop by after work if you're free then.} {311}{}{Breaks my heart, but I really can't talk right now.} {312}{}{C'mon now, you're distracting me, sweetheart.} {313}{}{I can't help you.} {314}{}{I hear Tommy the Balls wants to give you a private screening.} {315}{}{Not now, sweetheart. Business.} {316}{}{I'd chat, but the boss could be watching.} {325}{}{Secure that weapon NOW, slaver.} {326}{}{Weapons aren't allowed in here, slaver.} {327}{}{Put that weapon away, slaver.} {330}{}{Stop sneaking around in here, slaver.} {331}{}{People sneaking around in here makes my trigger finger itch.} {332}{}{Sneaking around in here can get you shot, slaver.} {335}{}{Secure that weapon NOW.} {336}{}{Weapons aren't allowed in here.} {337}{}{Put that weapon away. Now.} {338}{}{Secure that weapon right now.} {340}{}{Stop sneaking around in here, or there's gonna be trouble.} {345}{}{I'm not the person to talk to about dealing slaves. Talk to Mason.} {346}{}{Salvatores already got all the slaves we need.} {347}{}{I haven't got time to talk right now.} {348}{}{I can't help you.} {349}{}{Look, I ain't got the time. You want conversation, go to Virgin Street and talk to a whore.} {355}{}{If you're looking to deal some slaves, talk to the boss.} {356}{}{Don't think the boss is looking for any more slaves, but you might want to try him anyway.} {360}{}{Looking for work? Talk to Mason.} {361}{}{If you're looking for work, you should talk to Mason.} {365}{}{Look, I ain't got the time. You want conversation, go to Virgin Street and talk to a whore.} {366}{}{I haven't got time to talk right now.} {367}{}{I can't help you.} {368}{}{Can't help you. Sorry.} {369}{}{Not now, sweetheart. Business.} {370}{}{I'd chat, but the boss could be watching.} {371}{}{Look, I ain't got the time for chit-chat.} {380}{}{That ghoul better leave right NOW.} {381}{}{If that ghoul's still here when I turn around, we'll burn it.} {382}{}{That ghoul's asking to be a torch if it sticks around.} {1180}{}{. His name's gonna be corpse if he doesn't get out of here...} {1185}{}{. Her name's gonna be corpse if she doesn't get out of here...} {1278}{}{, but you better take it elsewhere.} {1279}{}{, but I'd take it somewhere else.}
 * 1) QUICK LOOK
 * 1) LOOK (IF THUG HAS LASER WEAPON.)
 * 1) 2. FLOAT/CLICK DIALOGUE: ENCLAVE DESTROYED IS TRUE
 * 1) 3. FLOAT DIALOGUE: PLAYER = FEMALE/MALE, MADE MAN, FA=SALVATORE, PRIZEFIGHTER, PORN STAR [ SNEAK ]
 * 1) 4. FLOAT DIALOGUE: PLAYER = MADE MAN, FA=NOT SALVATORE
 * 1) 6. FLOAT DIALOGUE: POLITE [ARMED]
 * 1) 7. FLOAT DIALOGUE: FEMALE, PORN STAR, POLITE [ARMED]
 * 1) 8. FLOAT DIALOGUE: SLAVER [ARMED]
 * 1) 9. FLOAT DIALOGUE: SLAVER [SNEAK]
 * 1) 10. FLOAT DIALOGUE: NORMAL [ARMED]
 * 1) 11. FLOAT DIALOGUE: NORMAL [SNEAK]
 * 1) 12. FLOAT DIALOGUE: COMPANION: ROBOBRAIN
 * 1) 13. FLOAT DIALOGUE: COMPANION: MARCUS
 * 1) 15. CLICK DIALOGUE: POWER ARMOR
 * 1) 16. CLICK [MADE MAN, FA = SALVATORE]
 * 1) 18. CLICK [MALE/FEMALE, MADE MAN, FA = NOT SALVATORE]
 * 1) 19. CLICK [MALE/FEMALE, PRIZEFIGHTER]
 * 1) 20. CLICK [MALE, PORN STAR]
 * 1) 21. CLICK [PORN STAR, FEMALE]
 * 1) 22. FLOAT DIALOGUE: SLAVER [ARMED]
 * 1) 23. FLOAT DIALOGUE: SLAVER [SNEAK]
 * 1) 24. FLOAT DIALOGUE: NORMAL [ARMED]
 * 1) 25. FLOAT DIALOGUE: NORMAL [SNEAK]
 * 1) 26. [SLAVER, IF BAD REACTION]
 * 1) 27. [SLAVER, GOOD REACTION]
 * 1) 28. CLICK [FEMALE/MALE, NO REP, GOOD REACTION]
 * 1) 29. CLICK [NO REP, BAD REACTION]
 * 1) 30. CLICK/FLOAT: Lenny
 * 1) END OF LINES